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Am‘lia da Piedade Rodriguez (July 23, 1920 October 6, 1999), also known as Am‘lia Rodrigues (Portuguese pronunciation: [xmali 1uxd.i3]) was a Portuguese singer and actress. Despite official documents give her date of birth as July 23, Rodrigues always said her birthday was July 1, 1920 [1]. She was born in Lisbon, in the rua Martim Vaz (Martim Vaz Street), neighborhood of Pena. Her father was a trumpet player and cobbler from Fund“o who returned there when Am‘lia was just over a year old, leaving her to live in Lisbon with her maternal grandmother in a deeply Catholic environment until she was 14, when her parents returned to the capital and she moved back in with them.
She was known as the "Rainha do Fado" ("Queen of Fado") and was most influential in popularizing the fado worldwide. In fact, she was one of the most important figures in the genres development, and enjoyed a 40-year recording and stage career. Rodrigues' performances and choice of repertoire pushed fados boundaries and helped redefine it and reconfigure it for her and subsequent generations. In effect, Rodrigues wrote the rulebook on what fado could be and on how a female fadista or fado singer should perform it, to the extent that she remains an unsurpassable model and an unending source of repertoire for all those who came afterwards. Rodrigues enjoyed an extensive international career between the 1950s and the 1970s, although in an era where such efforts were not as easily quantified as today. Other well-known international fado artists such as Madredeus, Dulce Pontes and Mariza have come close, however.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
She was known as the "Rainha do Fado" ("Queen of Fado") and was most influential in popularizing the fado worldwide. In fact, she was one of the most important figures in the genres development, and enjoyed a 40-year recording and stage career. Rodrigues' performances and choice of repertoire pushed fados boundaries and helped redefine it and reconfigure it for her and subsequent generations. In effect, Rodrigues wrote the rulebook on what fado could be and on how a female fadista or fado singer should perform it, to the extent that she remains an unsurpassable model and an unending source of repertoire for all those who came afterwards. Rodrigues enjoyed an extensive international career between the 1950s and the 1970s, although in an era where such efforts were not as easily quantified as today. Other well-known international fado artists such as Madredeus, Dulce Pontes and Mariza have come close, however.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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