Giacomo Aragall

Jaume Aragall i Garriga (Catalan pronunciation: [xBawm . xa>]), better known as Giacomo Aragall (born 6 June 1939) is a Spanish operatic tenor.
He made his debut in L'amico Fritz by Pietro Mascagni at La Scala when aged 23, the youngest tenor to make his debut there. He appeared in operas by Mascagni, Puccini, Donizetti, Bellini, Verdi, Massenet, Cilea, Gounod, Hindemith and Haydn. He also performed on all of the leading opera stages throughout the world such as in Milan, Rome, Berlin, the United States and Paris.
Contents [hide]
1 Early life and education
2 Debut
3 Career
4 Critical reception and awards
5 External links
[edit]Early life and education

Aragall became a member of the Choir of the Basilica of Santa Maria del Mar at the age of nine, and at the age of 19 he began his singing studies under the direction of Professor Jaime Francisco Puig. He made his debut at the Gran Teatre del Liceu in the 1961-1962 season in the roles of Arlecchino in Pagliacci by Ruggero Leoncavallo and Arturo in Lucia di Lammermoor by Gaetano Donizetti. Thanks to the economic support of the Board of Proprietors of the Gran Teatro del Liceu, he went to Milan to complete his studies with Professor Vladimiro Badiali. Within a few months he had won the first prize and the Gold Medal in the world famous International Competition Voci Verdian at Busseto.
[edit]Debut

Giacomo Aragalls debut in a leading role was at the Gran Teatro La Fenice, Venice on 24 September 1963, in Verdi's opera Gerusalemme. The same year, at the age of 23, he debuted in Palermo and at the Teatro alla Scala in Milan, the youngest tenor ever to make his debut, in the operas L'amico Fritz by Pietro Mascagni, La boh?me by Giacomo Puccini and Hindemith's Cardillac. In the nine months since his arrival in Milan, Aragall had embarked on a fully fledged international career. In the 1963-1964 season he returned to the Gran Teatro del Liceu, as first tenor. During the same season he performed in Venice, Genoa, Palermo, Parma, Modena, Naples, Rome, Turin and again at the Teatro alla Scala in Milan, in a production of Bellini's I Capuleti e i Montecchi, in which he sang the role of Romeo with Renata Scotto as Giuletta and Luciano Pavarotti as Tebaldo. This was the first time Romeo had ever been sung by a tenor, since the role was originally written for Giuditta Grisi and performed by a mezzo-soprano. Luciano Pavarotti missed a cue, saying "I was so caught up in the beauty of Aragall's voice".
[edit]Career

During his career Giacomo Aragall sang in all the leading opera theatres of the world: La Scala, Milan; Teatro Comunale, Bologna; Teatro dellOpera, Rome; Teatro San Carlo, Naples; Teatro Bellini, Catania; Vienna State Opera; Hamburg; Munich; Bonn; Cologne; Berlin; Paris; Marseilles; Nice; Royal Opera House, Covent Garden, London; Th™’tre de la Monnaie, Bruxelles; Z¬rich; Budapest; Prague; Liceu, Barcelona; Madrid; Metropolitan Opera, New York; San Francisco; Washington; Chicago; Houston; Buenos Aires; Caracas; Tokyo; Hong Kong; Singapore and Capetown.
He has worked with great conductors including Carlos Kleiber, Claudio Abbado, Georges Prљtre, Sir Georg Solti, Sir Charles Mackerras, Sir Colin Davis, Richard Bonynge, Giuseppe Sinopoli, Sylvain Cambreling, Lorin Maazel, Gianandrea Gavazzeni, Giuseppe Patan?, Zubin Mehta, JesЄs LЈpez-Cobos, Rafael Fr¬beck de Burgos as well as with famous stage directors, such as Luchino Visconti, Otto Schenk, Jean Villar, Edoardo de Filippo, Franco Zeffirelli, Renato Castellani, Roman Polanski, Jean Pierre Ponnelle, Giancarlo del Monaco and Bob Wilson.
He has performed in the following operas: Le Pescatrici by Haydn, Lucia di Lammermoor, Lucrezia Borgia, La favorite and Caterina Cornaro by Donizetti; I Capuleti e i Montecchi by Bellini; Gerusalemme, La traviata, Rigoletto, Un ballo in maschera, Don Carlos and Simon Boccanegra by Verdi; La boh?me, Madama Butterfly and Tosca by Puccini; Adriana Lecouvreur by Cilea; Faust by Gounod; Manon, Esclarmonde, and Werther by Massenet.
Jaume Aragall performed recitals and concerts, in leading concert halls such as the Amsterdam Concertgebouw, Salle Pleyel, Paris, Vienna Staatsoper and Wiener Musikverein, Gran Teatre del Liceu and Palau de la MЄsica Catalana in Barcelona, Teatro Real of Madrid, Teatro de la Maestranza of Seville, Herculessaal in Munich, Deutsche Oper Berlin and Z¬rich Opernhaus.
[edit]Critical reception and awards

Aragalls voice, richly expressive and praised by the critics as one of the most beautiful tenor voices of all time, has been captured on numerous recordings: La traviata, Don Carlo, Rigoletto, Faust, La boh?me, Madama Butterfly, Tosca, Lucrezia Borgia, Esclarmonde, Manon, Gerusalemme, Un ballo in maschera, Werther, Simon Boccanegra, Caterina Cornaro, Lucia di Lammermoor as well as many concerts and recitals.
His awards include Honorary Patron of the OrfeЈ Catal‘ Foundation, Cross of St George, Kammers”nger from the Wiener Staatsoper, Gold Medal of the Fine Arts from the Spanish government and Doctor Honoris Causa, University of Girona. Aragall has a commitment to promote young singers and holds master classes all over the world. The first "Jaume Aragall International Singing Competition" took place in 1994 in Toroella de Montgri and now in Sabadell, Barcelona and Vienna. Giacomo Aragall makes international appearances in concerts and recitals.
"I loved him. He was the most real of all the tenors," said Richard Bonynge. "There was nothing phoney about his performances. Something always happened when he was onstage. You could believe in him utterly, apart from the fact that the voice itself was very, very beautiful. It had a quality that touched the heart, and you were never conscious of technique or anything. It was a very big lyric voice. But really lyric - very sort of silvery, but round, and affecting. It got to you."[citation needed]
[edit]External links

Concurso Internacional de Canto Jaume Aragall

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