Hannah Peel

Northern Irish singer-songwriter Hannah Peel, is hurtling into a world of analogue synths and a love for the golden age of cinema and Italo Calvinos 1972 book Invisible Cities, the imagined travels of Kublai Khan, through the very real loneliness felt by living in big cities, the failure and building of new relationships, to the dreams of a better future.

Consistently, Peel has won praise for innovative deconstructions of popular tracks and experimental indulgences within her music. Shes a connoisseur of fine music boxes not a common thing, most will agree but on the new Fabricstate EP, that idiosyncrasy, which piqued the attention of many, is (at least mostly) locked away. Instead, she welds together Juno synths, strings (of various styles), layered vocals and sampled found percussion to create a kind of steampunk folktronica its mechanical, futuristic to a degree, but frequently warm, organic and blessed by nature.

Much like Marco Polos Silk Road, Peels treks through many different cultures, from Londons electronic worlds, to Middle Eastern-style melodies, to Asian folk shrapnel, to classical European keys. Its vast and vivid, summoning all kinds of epic visions of decade-long quests and ancient cultures.
Hannah Peels first EP in approximately a year marks, potentially, if this isnt just a relieving of pent-up creative tensions, a new direction for her. There are remnants of the kind of hauntingly beautiful sounds weve grown to expect over the years, but this is by and large a jolt into the unknown and it pays off. Its an exhilarating listen, full of highs and lows. The intrigue is conjured most notably through the experiments she conducts within her new sound she whisks you into a fresh world. Its a very visual release, hijacking your mind and steering your imagination across the globe and throughout time. Its only four tracks, but the depth at which Peel drags you will make it feel like considerably longer. If this is what she has in store for us in the future, then we should start getting excited.
(By Larry Day) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.