Информация об исполнителе
John Gregorius
Tucson, Arizona
As producer, guitarist, and engineer at his own Studio in Southern California, John Gregorius has produced and or played for artists such as East West, Reel Big Fish, Bionic Jodi, music from India, along with various other Orange County artists. However, as time went on, a desire to create his own music could no longer be ignored, and John Gregorius began to create the music that came to him naturally. The sound that resulted grew both out of his expansive view of The Divine, and through his renewed love for the guitar. The music springs from the idea that everything is miraculous. The result is a joyous blend of acoustic and electric, digital and analog, and – in Gregorius’ words: a “thank you for the beauty around us, and for the deeper purpose we can experience.”
Gregorius begins almost all of his compositions with a guitar, a looper, and reverb. Each of his rich, immersive pieces are built from this simple foundation, with guitar loops forming much of recordings’ background ambience. On Full of life and In Awe, He recorded most of the album on an Ovation 1867, and a Paul Reed Smith electric tuned in Robert Fripp’s New Standard Tuning.
“I’ve always enjoyed a mixture of acoustic guitar and ambient, processed electric guitar.” notes Gregorius. “The combination of these two styles, which may seem quite different, but much like the intertwining of the physical and spiritual this combination seems to flow naturally from one piece to another. I see the music as a peaceful, flowing prayer or meditation.”
Tucson, Arizona
As producer, guitarist, and engineer at his own Studio in Southern California, John Gregorius has produced and or played for artists such as East West, Reel Big Fish, Bionic Jodi, music from India, along with various other Orange County artists. However, as time went on, a desire to create his own music could no longer be ignored, and John Gregorius began to create the music that came to him naturally. The sound that resulted grew both out of his expansive view of The Divine, and through his renewed love for the guitar. The music springs from the idea that everything is miraculous. The result is a joyous blend of acoustic and electric, digital and analog, and – in Gregorius’ words: a “thank you for the beauty around us, and for the deeper purpose we can experience.”
Gregorius begins almost all of his compositions with a guitar, a looper, and reverb. Each of his rich, immersive pieces are built from this simple foundation, with guitar loops forming much of recordings’ background ambience. On Full of life and In Awe, He recorded most of the album on an Ovation 1867, and a Paul Reed Smith electric tuned in Robert Fripp’s New Standard Tuning.
“I’ve always enjoyed a mixture of acoustic guitar and ambient, processed electric guitar.” notes Gregorius. “The combination of these two styles, which may seem quite different, but much like the intertwining of the physical and spiritual this combination seems to flow naturally from one piece to another. I see the music as a peaceful, flowing prayer or meditation.”
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