Информация об исполнителе
Martin Brandlmayr is an Austrian percussionist, drummer, composer and electronic artist. He studied classical percussion at the University of Music and Performing Arts in Vienna.
He is widely recognized for his work in bands: Radian, Trapist, Autistic Daughters, Kapital Band 1 and Polwechsel.
Among others, Brandlmayr has collaborated with Siegrun Appelt, Burkhard Beins, Tony Buck, John Butcher, Peter Brandlmayr, dieb13, Axel Dцrner, Christian Fennesz, Franz Hautzinger, Gina Hell, Florian Kmet, Christof Kurzmann, Toshimaru Nakamura, Andrea Neumann, Rashim, Sachiko M, Stefan Schneider, Burkhard Stangl, David Sylvian, John Tilbury, Otomo Yoshihide ...
He won two honorary mention Ars Electronica awards: in 2002 (for Radian album TG11) and in 2005 (for Kapital Band 1 album 2CD)
He is considered to be one of the most innovative drummers active in the current avant-music scene today, and has crafted a signature style that somehow manages to sound loose and improvised while maintaining complex time signatures often inspired by intelligent dance music; critic Brian Olewnick has called Brandlmayr's work "extraordinarily precise".
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
He is widely recognized for his work in bands: Radian, Trapist, Autistic Daughters, Kapital Band 1 and Polwechsel.
Among others, Brandlmayr has collaborated with Siegrun Appelt, Burkhard Beins, Tony Buck, John Butcher, Peter Brandlmayr, dieb13, Axel Dцrner, Christian Fennesz, Franz Hautzinger, Gina Hell, Florian Kmet, Christof Kurzmann, Toshimaru Nakamura, Andrea Neumann, Rashim, Sachiko M, Stefan Schneider, Burkhard Stangl, David Sylvian, John Tilbury, Otomo Yoshihide ...
He won two honorary mention Ars Electronica awards: in 2002 (for Radian album TG11) and in 2005 (for Kapital Band 1 album 2CD)
He is considered to be one of the most innovative drummers active in the current avant-music scene today, and has crafted a signature style that somehow manages to sound loose and improvised while maintaining complex time signatures often inspired by intelligent dance music; critic Brian Olewnick has called Brandlmayr's work "extraordinarily precise".
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
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