BioCarolyn Yarnell was born in California and raised in the Sierra Nevada Mountains. She began composing at age six, and taught herself notation by twelve. After initial experiences in avant-rock and jazz bands, at twenty-two she moved permanently to classical on hearing the premiere of her orchestral work First Music. In addition to being agraduate of the San Francisco Conservatiry of Music and Yale, she has held fellowships at Aspen, Tanglewood, Yaddo, MacDowell, and is a founding member of The Common Sense Composers Collective. Fascinated with rocks and natural wonders, she spent a year living in Iceland as a Fulbright Scholar, where she composed the orchestral pieces Living Mountains, White June and Andromeda.
A winner of the prestigious Rome Prize, she spent a year in Italy and from there traveled extensively throughout North Africa and Europe. Yarnell's music is inspired largely by landscape and circumstance. The isolation of the Sierra Nevadas where she grew up, the volcanic tundra of Iceland, the vast archeological excavations of the Tunisian desert, the rush of NYC, all are echoed in the broad pacing and fluid transitions of her work. Counterbalancing this is the exuberant, even chaotic uproar of a richly-lived life. An accomplished painter, as well as a writer, her recent activities include finishing an autobiography entitled Baby Girl, collecting rocks and exploring the world.
TzadikInspired by the beauty and power of nature, the music of Carolyn Yarnell straddles the borders of minimalism, romanticism and Baroque. A maverick in the American tradition of Partch, Ruggles and Riley, her compositions have been performed worldwide by orchestras, chamber groups and soloists such as Kathleen Supove, who is a fervent champion of her work. Sonic Vision, the first CD devoted entirely to her music, contains the powerful electronic composition Love God, a beautiful solo piece for Baroque flute, a minimalist suite for chamber ensemble and a powerful extended work for computer piano. Lyrical and mystical music that evokes volcanoes, birds and the Rocky Mountains.
The Same SkyComposed by Carolyn Yarnell
Synthesizer, Programming - Carolyn Yarnell
Engineered and Mixed by Joe Vannelli, Dec. 8, 2002
at Blue Moon Studios, Agoura Hills, CA
Produced by Carolyn Yarnell and Joseph Curiale
commissioned by Kathleen Supove as part of the national series of works sponsored by
Meet the Composer/Arts Endowment Commissioning Music/USA
with support from the Helen E. Whitaker Fund
"The Same Sky takes Katheleen Supove's critically acclaimed series The Exploding Piano to heart. Scored for piano solo, computer and video (visuals by software designer Eric Wenger), The Same Sky aesthetically explodes the piano, merging past performance technique with present technology. The computer music functions as counterpoint, enhancing, expanding the sonorities, dynamics, and Bachian figures of the pianoforte solo. The video recalls earlier visions of art with music in that many early keyboard instruments had beautiful paintings on the inside lid, only this art was choreographed specifically for the composition and then linked with computer counterpoint.
I was wathing a movie one night, the setting was an amazing 14th century Venetian Gothic Palazzo over-looking the Grand Canal. On the landing of a white marble staircase was a table whith an enormous vase filled with flowers, a window beside. The place was amazing and I found myself wishing I lived some where like that... could always have flowers so lovely. And then the motion picture panned across the pale ornate wall and out the open window into the stunningly beatiful sky. At that moment I realized that no matter what we may have in this life, we share the same sky."
More Spirit Than Matter...Composed by Carolyn Yarnell
Baroque Flute - Stephen Schultz
Baroque Oboe - Gonzalo X. Ruiz
Baroque Violin - Elizabeth Blumenstock
Viola da Gamba - Roy Welden
Baroque Cello - Paul Hale
Harpsichord - Kathy Shao
Conductor - George Thomson
Engineered and Mixed by Jack Vad, Aug. 24-25, 1999
at St. Stephens Episcopal Church, Belvedere, CA
Edited and Mastered by Gonzalo X. Ruiz and Stephen Schultz
Ein Bischen and Spinning Music previously released on Santa Fe New Music Shock of the Old
Produced by Jack Vad
commissioned for American Baroque by The Common Sense Composer's Collective
More Spirit than Matter...
not so much seen, as felt
tone melody, line, chaconne
more breath than bone
Love Godin memory of John Stephen Lobacz 1955-1996
Composed by Carolyn Yarnell
Synthesizer, Programming, Vocals - Carolyn Yarnell
Recorded 1997 at Baby Monster Studios, NYC
Programming by Eve Beglarian
Produced by Carolyn Yarnell and Eve Beglarian
commissioned for Twisted Tutu by The Common Sense Composer's Collective
If you loved me,
why'd you go?
Transformation
to ash in snow.
ashes...
10/18Composed by Carolyn Yarnell
Baroque Flute - Stephen Schultz
Effects, Processing - Eric Wenger
Recorded by Jack Vad, Jan. 7, 2003 at Jack's House, Mill Valley, CA
Edited by Stephen Schultz
Stephen Schultz's baroque flute is a copy of an original flute
by C.A. Grenser, c. 1760, built in 1985 by Rod Cameron
Produced by Carolyn Yarnell and Stephen Schultz
commissioned by Stephen Schultz
Burning Man was composed in the loft of an RV in the Black Rock desert during a dust storm at the 1998 Burning Man Festival.
Breathless was written at home. The piece gets its name from the day I finished the entire composition, which happens to be Stephen's birthday, October 18.
andPublished by Sonic Vision, ASCAP
Mastered by Scott Hull at Hit Factory Mastering, NYC
K2 Technology by JVC Disc America
Executive Producer John Zorn
Associate Producer Kazunori Sugiyama
cover and inlay Artwork Carolyn Yarnell
inlay Photo Marie Laure Requet
obi and bio Photos Gary Grimaldi
Design Heung-Heung Chin