ALBUM REVIEWThis may be known as the "Beyoncé goes country" record—but, in truth, she's always been here. A Houston native and rodeo fan, Beyoncé released the unmistakably countrified "Daddy Lessons" on 2016's Lemonade then upped the ante with a Chicks remix that was met with industry backlash. But no one puts Beyoncé in a corner, and Cowboy Carter is her gracious "told ya so" moment. First single "Texas Hold 'Em" saw her become the first Black woman to top Billboard's Hot 100 Country chart, and that's even after some country radio stations refused to play it. That song is a joy: echoing the Chicks' and Shania's C&W pop, but also Rhiannon Giddens' mountain folk (that's her playing banjo on the song) as well as all-American sweet soul music. The excellent Raphael Saadiq is a co-writer, and his touch shows. And damned if the affecting ballad "16 Carriages"—grand in the "Halo" and "If I Were a Boy" tradition—doesn't sound like an autobiographical recounting of Beyoncé's career start as a teen. "At fifteen, the innocence was gone astray/ Had to take care of home at an early age/ I saw Mama cryin', I saw Daddy lyin'/ Had to sacrifice and leave my fears behind," she sings, chillingly, against steel guitar and crackling percussion.
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