Информация об исполнителе
Anne-Catherine Gillet was born in Belgium. Her natural talent quickly led to stage appearances.
When she was still very young, she came to the attention of the Opéra Royal de Wallonie (Liège), which offered her a place in its resident company, thus enabling her to sing her earliest operatic roles.
From 2003 onwards, the Théâtre du Capitole in Toulouse invited her to play many leading roles.
In 2006, Sir John Eliot Gardiner chose her to sing Laoula in Chabrier’s L’Étoile at the Zurich Opera and the Opéra-Comique in Paris.
In 2009, she made her debuts at the Opéra National de Paris (Garnier and Bastille).
Her early roles included Sophie (Werther), which she has sung in Liège, Toulon and Lyon and at the Opéra-Bastille; Musetta (La Bohème) in Liège, Brussels, Geneva, and Bordeaux; and Constance (Dialogues des Carmélites) and Zdenka (Arabella) in Toulouse and Liège.
She went on to expand her repertoire with notable appearances as Despina (Così fan tutte) in Tourcoing and Toulouse and at the Théâtre des Champs-Élysées and Palais Garnier in Paris, and Susanna (Le nozze di Figaro) in Nice, Toulouse, and Liège. She enjoyed outstanding success as Micaëla (Carmen) at the Opéra-Comique and in Peking.
She has made her own the great Baroque roles of Poppea (Monteverdi) and Aricie (Rameau), the former under the direction of Christophe Rousset in Toulouse and Ottavio Dantone in Como and Brescia, the latter in Toulouse and at the Paris Opéra with Emmanuelle Haïm.
The twentieth-century repertoire offers her such magnificent parts as Mélisande (Pelléas et Mélisande) in Liège, the title roles in L’Héritière and Colombe by Jean-Michel Damase in Marseille, Sophie (Der Rosenkavalier) in Toulouse and the Governess (The Turn of the Screw) in Frankfurt, and has revealed her as one of her generation’s finest exponents of Blanche (Dialogues des Carmélites).
She has worked with such noted conductors as A. Pappano, A. Zedda, P. Davin, J.-C. Malgoire, L. Langrée, J. E. Gardiner, G. Neuhold, M. Armiliato, J. Kout, K. Ono, G. Prêtre, M. Plasson, M. Minkowski, E. Pido, Ph. Jordan, M. Soustrot, and A. Altinoglu…
Over the next few seasons, in addition to Susanna, Micaëla and Blanche de la Force, she will sing the roles of Gretel, Manon, Gilda, Traviata in Paris, Brussels, New York, Berlin, Liège, Lausanne, Frankfurt…
Her discography includes a CD released the 27th october 2011 with tracks of Barber-Berlioz-Britten (AEON/ ref. AECD 1113), and DVDs of Carmen (J. E. Gardiner – FraMusica 2009) and Werther at the Bastille (M. Plasson – Decca 2010).
- See more at: http://www.annecatherinegillet.com/?page_id=224#sthash.WcHGbejV.dpuf
When she was still very young, she came to the attention of the Opéra Royal de Wallonie (Liège), which offered her a place in its resident company, thus enabling her to sing her earliest operatic roles.
From 2003 onwards, the Théâtre du Capitole in Toulouse invited her to play many leading roles.
In 2006, Sir John Eliot Gardiner chose her to sing Laoula in Chabrier’s L’Étoile at the Zurich Opera and the Opéra-Comique in Paris.
In 2009, she made her debuts at the Opéra National de Paris (Garnier and Bastille).
Her early roles included Sophie (Werther), which she has sung in Liège, Toulon and Lyon and at the Opéra-Bastille; Musetta (La Bohème) in Liège, Brussels, Geneva, and Bordeaux; and Constance (Dialogues des Carmélites) and Zdenka (Arabella) in Toulouse and Liège.
She went on to expand her repertoire with notable appearances as Despina (Così fan tutte) in Tourcoing and Toulouse and at the Théâtre des Champs-Élysées and Palais Garnier in Paris, and Susanna (Le nozze di Figaro) in Nice, Toulouse, and Liège. She enjoyed outstanding success as Micaëla (Carmen) at the Opéra-Comique and in Peking.
She has made her own the great Baroque roles of Poppea (Monteverdi) and Aricie (Rameau), the former under the direction of Christophe Rousset in Toulouse and Ottavio Dantone in Como and Brescia, the latter in Toulouse and at the Paris Opéra with Emmanuelle Haïm.
The twentieth-century repertoire offers her such magnificent parts as Mélisande (Pelléas et Mélisande) in Liège, the title roles in L’Héritière and Colombe by Jean-Michel Damase in Marseille, Sophie (Der Rosenkavalier) in Toulouse and the Governess (The Turn of the Screw) in Frankfurt, and has revealed her as one of her generation’s finest exponents of Blanche (Dialogues des Carmélites).
She has worked with such noted conductors as A. Pappano, A. Zedda, P. Davin, J.-C. Malgoire, L. Langrée, J. E. Gardiner, G. Neuhold, M. Armiliato, J. Kout, K. Ono, G. Prêtre, M. Plasson, M. Minkowski, E. Pido, Ph. Jordan, M. Soustrot, and A. Altinoglu…
Over the next few seasons, in addition to Susanna, Micaëla and Blanche de la Force, she will sing the roles of Gretel, Manon, Gilda, Traviata in Paris, Brussels, New York, Berlin, Liège, Lausanne, Frankfurt…
Her discography includes a CD released the 27th october 2011 with tracks of Barber-Berlioz-Britten (AEON/ ref. AECD 1113), and DVDs of Carmen (J. E. Gardiner – FraMusica 2009) and Werther at the Bastille (M. Plasson – Decca 2010).
- See more at: http://www.annecatherinegillet.com/?page_id=224#sthash.WcHGbejV.dpuf
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