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Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist who played fingerstyle on a classical guitar. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.
On March 13–16, 1963, Byrd travelled two hours south of Washington, DC to the University of Virginia in Charlottesville to provide music for an original musical, Lament For Guitar and Two Lovers. The play was by Lee Devin of the UVa drama department, with music for 10-piece ensemble by Sidney Hodkinson of the UVa music department. Two nights later on March 18, the Byrd trio played a concert featuring "Lament for Guitar and Two Lovers" at Cabell Hall, the university's acoustic auditorium.[10] The solo dancer for the concert was Jocelyn Anker Moss.
In 1963, Byrd toured Europe with Les McCann and Zoot Sims.[11] Between 1964 and 1965, he appeared at the Newport Jazz Festival with Episcopal priest Malcolm Boyd, accompanying prayers from his book Are You Running With Me Jesus? with guitar.[12] In 1967, Byrd brought a lawsuit against Stan Getz and MGM, contending that he was unfairly paid for his contributions to the 1962 album Jazz Samba. The jury agreed with Byrd and awarded him half the royalties from the album.
On March 13–16, 1963, Byrd travelled two hours south of Washington, DC to the University of Virginia in Charlottesville to provide music for an original musical, Lament For Guitar and Two Lovers. The play was by Lee Devin of the UVa drama department, with music for 10-piece ensemble by Sidney Hodkinson of the UVa music department. Two nights later on March 18, the Byrd trio played a concert featuring "Lament for Guitar and Two Lovers" at Cabell Hall, the university's acoustic auditorium.[10] The solo dancer for the concert was Jocelyn Anker Moss.
In 1963, Byrd toured Europe with Les McCann and Zoot Sims.[11] Between 1964 and 1965, he appeared at the Newport Jazz Festival with Episcopal priest Malcolm Boyd, accompanying prayers from his book Are You Running With Me Jesus? with guitar.[12] In 1967, Byrd brought a lawsuit against Stan Getz and MGM, contending that he was unfairly paid for his contributions to the 1962 album Jazz Samba. The jury agreed with Byrd and awarded him half the royalties from the album.
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