Информация об исполнителе
Ignaz Friedman (also spelled Ignace or Ignacy; full name Solomon (Salomon) Isaac Freudman(n), Yiddish: שְׁלֹמֹה יִצְחָק פֿרײדמאַן; February 13, 1882 – January 26, 1948) was a Polish pianist and composer. Critics (e.g. Harold C. Schonberg) and colleagues (e.g. Sergei Rachmaninoff) alike placed him among the supreme piano virtuosi of his day, alongside Leopold Godowsky, Moriz Rosenthal, Josef Hofmann and Josef Lhévinne.
Born to an itinerant Jewish musician in Podgórze near Kraków, Ignaz Friedman was a child prodigy. He studied with Hugo Riemann in Leipzig and Theodor Leschetizky in Vienna, and participated in Ferruccio Busoni's masterclasses.
Friedman lived in Berlin until 1914 and settled in Copenhagen in 1920.
His official début in Vienna in 1904 featured a program of three piano concertos, rivaling the similar programs of established titans like Busoni and Godowsky, and he remained a titan throughout his career. His style was quiet and effortless, imbued with a sense of rhythm and color, grounded in a sovereign technique, and much has been written about his peerless interpretations of Chopin in particular.
As with his compatriot and contemporary Moriz Rosenthal, Friedman's Chopin interpretations, particularly those of the mazurkas, are considered by many to be unsurpassed. Despite having given 2,800 concerts during his career, he sometimes received lukewarm reviews in America in later years, as younger critics were becoming accustomed to modernist playing which stripped romantic interpretation of its agogics and essence. (Rachmaninoff admired Friedman's playing but may have opined that he "played too much to the gallery.")
Born to an itinerant Jewish musician in Podgórze near Kraków, Ignaz Friedman was a child prodigy. He studied with Hugo Riemann in Leipzig and Theodor Leschetizky in Vienna, and participated in Ferruccio Busoni's masterclasses.
Friedman lived in Berlin until 1914 and settled in Copenhagen in 1920.
His official début in Vienna in 1904 featured a program of three piano concertos, rivaling the similar programs of established titans like Busoni and Godowsky, and he remained a titan throughout his career. His style was quiet and effortless, imbued with a sense of rhythm and color, grounded in a sovereign technique, and much has been written about his peerless interpretations of Chopin in particular.
As with his compatriot and contemporary Moriz Rosenthal, Friedman's Chopin interpretations, particularly those of the mazurkas, are considered by many to be unsurpassed. Despite having given 2,800 concerts during his career, he sometimes received lukewarm reviews in America in later years, as younger critics were becoming accustomed to modernist playing which stripped romantic interpretation of its agogics and essence. (Rachmaninoff admired Friedman's playing but may have opined that he "played too much to the gallery.")
показывать / спрятать больше
|
![Ignaz Friedman - Complete Recordings, Volume 4 (2004) [FLAC (image + .cue)]](cache/thumbnail15/browse197830.jpg "Ignaz Friedman - Complete Recordings, Volume 4 (2004) [FLAC (image + .cue)]")