Информация об исполнителе
La Sainte Folie Fantastique
Jérôme van Waerbeke, violon
Lucile Boulanger, viole de gambe
Arnaud De Pasquale, clavecin & orgue
Thomas Dunford, archiluth
In 2005, while our young musicians to complete their studies at the conservatory, they find themselves and learn to play together. Fun they are encountering and connivance in the work comes naturally their desire to perform regularly. The whole is enriched not only the artistic personality of each, but also an individual experience. So there he was no leader but the desire to discover the musical world of the other. The musicians of the Holy Madness Fantasy are anxious to offer the public unique concerts. Either by searching for the poetry of a frame or a place or, guided by curiosity, offering rare music or sleeping in libraries.
If one were to set the directory of the Holy Madness Fantasy could evoke a period of the Enlightenment humanist Europe, or of the appearance of the violin to the disappearance of the viol or harpsichord. However, the musicians of the Holy Madness Fantasy focus more on understanding a musical environment, defend a music or composer: how to deliver the works on stage yesterday, the most serious lighter, and share their values with the public today. Considering the notion of "authenticity" as very ambiguous when referring to an intangible discipline (instrumental playing, the game player ...), it is nevertheless essential to support their work a thorough knowledge of the subjects they address.
The new generations have now more than a century musicology and research in violin, while a work environment conducive to the realization of shows, the requirement of their contexts of creation, to the service of today " performing arts "and a cultural mission should enrich and perpetuate.
Jérôme van Waerbeke, violon
Lucile Boulanger, viole de gambe
Arnaud De Pasquale, clavecin & orgue
Thomas Dunford, archiluth
In 2005, while our young musicians to complete their studies at the conservatory, they find themselves and learn to play together. Fun they are encountering and connivance in the work comes naturally their desire to perform regularly. The whole is enriched not only the artistic personality of each, but also an individual experience. So there he was no leader but the desire to discover the musical world of the other. The musicians of the Holy Madness Fantasy are anxious to offer the public unique concerts. Either by searching for the poetry of a frame or a place or, guided by curiosity, offering rare music or sleeping in libraries.
If one were to set the directory of the Holy Madness Fantasy could evoke a period of the Enlightenment humanist Europe, or of the appearance of the violin to the disappearance of the viol or harpsichord. However, the musicians of the Holy Madness Fantasy focus more on understanding a musical environment, defend a music or composer: how to deliver the works on stage yesterday, the most serious lighter, and share their values with the public today. Considering the notion of "authenticity" as very ambiguous when referring to an intangible discipline (instrumental playing, the game player ...), it is nevertheless essential to support their work a thorough knowledge of the subjects they address.
The new generations have now more than a century musicology and research in violin, while a work environment conducive to the realization of shows, the requirement of their contexts of creation, to the service of today " performing arts "and a cultural mission should enrich and perpetuate.
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