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Shelby Lynne

Shelby Lynne
Shelby Lynne
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Шелби Линн - одна из талантливейших кантри-певиц сегодняшней Америки, обладательница "Грэмми" и многочисленных лестных отзывов от музыкальной прессы. На своем десятом альбоме, вышедшем в начале этого года и ставшим самой успешной в коммерческом отношении записью артистки, Шелби отдает дань уважения Дасти Спрингфилд - величайшей британской певице этого века, лучшей исполнительнице "белого соула" за всю его историю, и делает это с любовью и почтением. Отойдя от канонов кантри-музыки, Шелби исполняет каверы песен с классических альбомов Dusty in Memphis и A Girl Called Dusty в изысканной, расслабленной манере smooth-джаза и салонного попа, смягчая акценты, приглушая освещение и усмиряя чувства. Шелби не столько поет, сколько проговаривает классические хиты шестидесятых, и там, где у Спрингфилд - страстные и пылкие гимны, у Линн - мягкие, но прочувствованные баллады. Торжественных распевок в традициях соула на этой пластинке нет - трибьют работы Шелби обходится без ненужного пафоса и слепого копирования оригинала, и сделан уютно, душевно и тонко. Все десять песен этой пластинки аранжированы скупыми, но выверенными переборами акустической гитары и рояля, а вокальная манера Шелби, в целом близкая Трейси Торн (Everything but the Girl), начинает напоминать манеру Аструд Жильберту в те редкие моменты, когда в инструментальном сопровождении проскальзывают вкрадчивые мотивы босса-новы. Привычная знойность и вальяжность "американы" на альбоме появляется лишь изредка, но быстро растворяется в общем туманном, расслабленном, "европейском" настроении. Впрочем, целостности пластинки это нисколько не нарушает, и нет решительно никаких обстоятельств, которые бы не позволили выставить этой работе однозначно высокую оценку.

Early life

Shelby Lynne was born in Virginia but grew up in the small town of Frankville, Alabama, near Chatom, Alabama, where she attended Washington County High School. Music was an important part of the Moorer family.[1] Her father, who worked as an English teacher and a juvenile corrections officer, played the guitar, while her mother was a singer. Her father also drank a lot and eventually became abusive. In August 1986, when Lynne was 17, her father shot and killed her mother and then himself.[2] She and her younger sister Allison Moorer subsequently moved in with relatives.
[edit]
Early career

Lynne appeared on TNN's country music show Nashville Now in 1987. She soon landed a recording contract with Epic Records. Her first recording for Epic was a duet with George Jones, "If I Could Bottle This Up", which became a top-50 hit in 1988. Epic teamed Lynne with producer Billy Sherrill for her 1989 debut album Sunrise. The follow-up, 1990's Tough All Over, took more of a mainstream country direction, and 1991's Soft Talk found Lynne moving into slick country-pop.

Lynne placed several songs on the country charts during this period, but none managed to break into the top 20. Critics generally regarded her as a promising talent, and she won the ACM's Top New Female Vocalist in 1990.

However, she was tiring of the lack of control she was afforded over her image and musical direction. She split from Epic and signed with the smaller Morgan Creek label, debuting with 1993's Temptation, an exercise in Bob Wills-style Western swing and big band jazz. The label folded not long after, and she moved on to Magnatone for 1995's Restless, which marked a return to contemporary-style country. Afterward, Lynne disappeared from recording for several years.
[edit]
Breakthrough

Lynne moved to Palm Springs, California in 1998.[3] For her next record, she worked with producer and songwriter Bill Bottrell. The result was the confessional and eclectic alternative country album I Am Shelby Lynne. "That album came from the most vulnerable, desperate place," she recalled years later. "I think about it every day."[2] Island Def Jam released the album in England during the fall of 1999 and then in the U.S. the following year, to wide critical acclaim.[4] At the 43rd Grammy Awards, held on February 21, 2001, she won the award for Best New Artist. "Thirteen years and six albums to get here," said Lynne during her acceptance speech.[5]

Her 2001 follow-up album Love, Shelby was produced by Glen Ballard and featured a slicker, more pop-influenced sound. The album received mixed reviews. One of the songs, "Killin' Kind", also appeared on the soundtrack of the film Bridget Jones's Diary.

Lynne took a more low-key approach on her next effort. Identity Crisis was self produced, recorded largely in her home studio and with few additional musicians. Many of the 12 tracks focused on dark themes, but there were also lighter songs such as "One With the Sun" (inspired by a conversation she had with Willie Nelson).[6] The album found a home on Capitol Records and was released in September 2003. The critics gave her high marks; AllMusic's Thom Jurek wrote, "There is no identity crisis here, just the indelible mark of a mature, intense, always engaging artist."[7] Suit Yourself (2005) also received praise from critics. However, neither record was commercially successful.

Her album Just a Little Lovin', released in early 2008 by Lost Highway Records, paid tribute to the late British singer Dusty Springfield. The producer was Phil Ramone, who had worked with Springfield on "The Look of Love". Just A Little Lovin' became the highest charting album of Lynne's career, reaching number 41 on the Billboard 200.[8] In a review for Entertainment Weekly, Marc Weingarten wrote that the album "is a stark reminder of Lynne's empathetic skill as an interpreter".[9]

Following a dispute with Lost Highway, Lynne started her own label, called Everso Records. "I plan on taking advantage of my freedom and working hard and putting out a lot of records," she said in an interview.[10] The first release was her album Tears, Lies and Alibis (2010). She followed up later that year with the holiday album Merry Christmas, featuring such classics as "Christmas Time Is Here" and "O Holy Night", as well as two original songs.
[edit]
Additional projects

Lynne performed the John Lennon song "Mother" at Come Together: A Night for John Lennon's Words and Music in October 2001 and at Theatre Within's 30th annual Lennon tribute in November 2010.[11]

She has worked professionally with Allison Moorer. On Moorer's live album Show, released in 2003, Lynne performed three duets with her sister. Lynne wrote "She Knows Where She Goes", one of the songs featured on Moorer's 2008 album Mockingbird. The two sisters performed five concerts together during what they called the Side by Side tour. The concerts took place from October through December 2010 in San Francisco, New York, Virginia, and Alabama.[12][13]

In 2002, she sang a duet with Raul Malo (formerly of the Mavericks) on his first solo-album Today. The song is titled "Takes Two To Tango". In 2004, Lynne was featured in a duet version of alternative rock band Live's song "Run Away." This rendition can be found on the band's greatest hits compilation Awake: The Best of Live. In 2007, she performed background vocals on Marc Cohn's fourth album, Join the Parade. She contributed to Forever Cool, a 2007 album from Capitol/EMI featuring contemporary artists in duets with the late Dean Martin. Alongside Big Bad Voodoo Daddy, Lynne performed a duet of one of Martin's best known tunes, "You're Nobody 'Til Somebody Loves You".

She also joined the 9th and 10th annual Independent Music Awards judging panel to assist independent musicians' careers.[14]

Lynne has taken on a few acting roles. She portrayed Johnny Cash's mother Carrie in the 2005 film Walk the Line. She appeared in a 2009 episode of the Lifetime drama series Army Wives as a country singer trying to reunite with her son. She played herself in an episode of the Starz comedy series Head Case.
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