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Детали релиза : Johann Sebastian Bach - The Well-Tempered Clavier (2011) [FLAC (tracks + .cue)]

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Johann Sebastian Bach - The Well-Tempered Clavier (2011) [FLAC (tracks + .cue)](кликните для просмотра полного изображения)
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Artist: Johann Sebastian Bach
Album: The Well-Tempered Clavier (Complete) [Albert Landa]
Released: 2011
Label: ABC Classics
Catalog #: ABC-476-4556
Genre: Classical
Country: Germany
Duration: 04:10:33

CD 1, Book 1

Duration: 00:54:41

Tracklisting:

1.Book 1. No. 1 in C major, BWV 846: Prelude 2:19
2.Book 1. No. 1 in C major, BWV 846: Fugue 1:58
3.Book 1. No. 2 in C minor, BWV 847: Prelude 1:28
4.Book 1. No. 2 in C minor, BWV 847: Fugue 1:28
5.Book 1. No. 3 in C sharp major, BWV 848: Prelude 1:14
6.Book 1. No. 3 in C sharp major, BWV 848: Fugue 2:16
7.Book 1. No. 4 in C sharp minor, BWV 849: Prelude 2:30
8.Book 1. No. 4 in C sharp minor, BWV 849: Fugue 4:27
9.Book 1. No. 5 in D major, BWV 850: Prelude 1:09
10.Book 1. No. 5 in D major, BWV 850: Fugue 2:22
11.Book 1. No. 6 in D minor, BWV 851: Prelude 1:25
12.Book 1. No. 6 in D minor, BWV 851: Fugue 2:17
13.Book 1. No. 7 in E flat major, BWV 852: Prelude 4:03
14.Book 1. No. 7 in E flat major, BWV 852: Fugue 1:36
15.Book 1. No. 8 in D sharp minor, BWV 853: Prelude 3:30
16.Book 1. No. 8 in D sharp minor, BWV 853: Fugue 6:14
17.Book 1. No. 9 in E major, BWV 854: Prelude 1:15
18.Book 1. No. 9 in E major, BWV 854: Fugue 1:08
19.Book 1. No. 10 in E minor, BWV 855: Prelude 2:16
20.Book 1. No. 10 in E minor, BWV 855: Fugue 1:05
21.Book 1. No. 11 in F major, BWV 856: Prelude 0:57
22.Book 1. No. 11 in F major, BWV 856: Fugue 1:09
23.Book 1. No. 12 in F minor, BWV 857: Prelude 1:53
24.Book 1. No. 12 in F minor, BWV 857: Fugue 4:32

CD 2, Book 1

Duration: 00:57:13

Tracklisting:

1.Book 1. No. 13 in F sharp major, BWV 858: Prelude 1:22
2.Book 1. No. 13 in F sharp major, BWV 858: Fugue 2:13
3.Book 1. No. 14 in F sharp minor, BWV 859: Prelude 1:00
4.Book 1. No. 14 in F sharp minor, BWV 859: Fugue 2:32
5.Book 1. No. 15 in G major, BWV 860: Prelude 0:51
6.Book 1. No. 15 in G major, BWV 860: Fugue 2:36
7.Book 1. No. 16 in G minor, BWV 861: Prelude 1:41
8.Book 1. No. 16 in G minor, BWV 861: Fugue 2:03
9.Book 1. No. 17 in A flat major, BWV 862: Prelude 1:12
10.Book 1. No. 17 in A flat major, BWV 862: Fugue 2:29
11.Book 1. No. 18 in G sharp minor, BWV 863: Prelude 1:18
12.Book 1. No. 18 in G sharp minor, BWV 863: Fugue 2:40
13.Book 1. No. 19 in A major, BWV 864: Prelude 1:30
14.Book 1. No. 19 in A major, BWV 864: Fugue 2:16
15.Book 1. No. 20 in A minor, BWV 865: Prelude 1:00
16.Book 1. No. 20 in A minor, BWV 865: Fugue 5:30
17.Book 1. No. 21 in B flat major, BWV 866: Prelude 1:24
18.Book 1. No. 21 in B flat major, BWV 866: Fugue 1:58
19.Book 1. No. 22 in B flat minor, BWV 867: Prelude 2:57
20.Book 1. No. 22 in B flat minor, BWV 867: Fugue 2:50
21.Book 1. No. 23 in B major, BWV 868: Prelude 1:08
22.Book 1. No. 23 in B major, BWV 868: Fugue 2:18
23.Book 1. No. 24 in B minor, BWV 869: Prelude 5:25
24.Book 1. No. 24 in B minor, BWV 869: Fugue 6:48

CD 3, Book 2

Duration: 01:06:15

Tracklisting:

1.Book 2. No. 1 in C major, BWV 870: Prelude 2:28
2.Book 2. No. 1 in C major, BWV 870: Fugue 1:29
3.Book 2. No. 2 in C minor, BWV 871: Prelude 2:03
4.Book 2. No. 2 in C minor, BWV 871: Fugue 2:05
5.Book 2. No. 3 in C sharp major, BWV 872: Prelude 1:37
6.Book 2. No. 3 in C sharp major, BWV 872: Fugue 1:50
7.Book 2. No. 4 in C sharp minor, BWV 873: Prelude 3:59
8.Book 2. No. 4 in C sharp minor, BWV 873: Fugue 2:05
9.Book 2. No. 5 in D major, BWV 874: Prelude 4:59
10.Book 2. No. 5 in D major, BWV 874: Fugue 3:38
11.Book 2. No. 6 in D minor, BWV 875: Prelude 1:30
12.Book 2. No. 6 in D minor, BWV 875: Fugue 1:56
13.Book 2. No. 7 in E flat major, BWV 876: Prelude 2:15
14.Book 2. No. 7 in E flat major, BWV 876: Fugue 1:54
15.Book 2. No. 8 in E flat / D sharp minor, BWV 877: Prelude 3:09
16.Book 2. No. 8 in E flat / D sharp minor, BWV 877: Fugue 3:27
17.Book 2. No. 9 in E major, BWV 878: Prelude 4:32
18.Book 2. No. 9 in E major, BWV 878: Fugue 3:43
19.Book 2. No. 10 in E minor, BWV 879: Prelude 3:11
20.Book 2. No. 10 in E minor, BWV 879: Fugue 2:45
21.Book 2. No. 11 in F major, BWV 880: Prelude 3:28
22.Book 2. No. 11 in F major, BWV 880: Fugue 1:35
23.Book 2. No. 12 in F minor, BWV 881: Prelude 4:44
24.Book 2. No. 12 in F minor, BWV 881: Fugue 1:41

CD 4, Book 2

Duration: 01:13:11

Tracklisting:

1.Book 2. No. 13 in F sharp major, BWV 882: Prelude 3:10
2.Book 2. No. 13 in F sharp major, BWV 882: Fugue 2:55
3.Book 2. No. 14 in F sharp minor, BWV 883: Prelude 2:47
4.Book 2. No. 14 in F sharp minor, BWV 883: Fugue 4:59
5.Book 2. No. 15 in G major, BWV 884: Prelude 2:17
6.Book 2. No. 15 in G major, BWV 884: Fugue 1:07
7.Book 2. No. 16 in G minor, BWV 885: Prelude 3:29
8.Book 2. No. 16 in G minor, BWV 885: Fugue 3:38
9.Book 2. No. 17 in A flat major, BWV 886: Prelude 3:32
10.Book 2. No. 17 in A flat major, BWV 886: Fugue 2:52
11.Book 2. No. 18 in G sharp minor, BWV 887: Prelude 3:31
12.Book 2. No. 18 in G sharp minor, BWV 887: Fugue 5:08
13.Book 2. No. 19 in A major, BWV 888: Prelude 1:34
14.Book 2. No. 19 in A major, BWV 888: Fugue 1:32
15.Book 2. No. 20 in A minor, BWV 889: Prelude 4:07
16.Book 2. No. 20 in A minor, BWV 889: Fugue 1:52
17.Book 2. No. 21 in B flat major, BWV 890: Prelude 6:06
18.Book 2. No. 21 in B flat major, BWV 890: Fugue 2:01
19.Book 2. No. 22 in B flat minor, BWV 891: Prelude 2:43
20.Book 2. No. 22 in B flat minor, BWV 891: Fugue 4:28
21.Book 2. No. 23 in B major, BWV 892: Prelude 2:02
22.Book 2. No. 23 in B major, BWV 892: Fugue 3:22
23.Book 2. No. 24 in B minor, BWV 893: Prelude 2:12
24.Book 2. No. 24 in B minor, BWV 893: Fugue 1:34


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Recording Location Castlecrag, Sydney
Performed by Australian pianist Albert Landa

The Well-Tempered Clavier is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach.

The Well-Tempered Clavier is a collection of educational pieces with exceptionally high artistic contents. From all the works written in the Baroque era, no other work has been so well-cherished, frequently performed and thoroughly studied than this work of Bach's — which, incidentally, can still be heard in music education today.

Though the Well-Tempered Clavier (hereafter WTC) was not published during Bach's lifetime, many manuscript copies were made by his pupils and copies spread steadily all over Europe with his fame. Influential musicians such as Mozart and Beethoven received manuscripts and as everyone knows, these composers in turn influenced the direction of the Western music. The WTC was finally published 51 years after the composer's death, which marked the culmination of the strenuous efforts made by his son and pupils.

In the German of Bach's time Clavier (keyboard) was a generic name indicating a variety of keyboard instruments, most typically a harpsichord or clavichord – but not excluding an organ either.

The collection is generally regarded as being among the most important works in the history of Western classical music.

Australian pianist Albert Landa has, as he has described it, “climbed Mt Everest”.

“I’d learned a few of these pieces as a child”, he said, “but back then Bach was thought of as dry, dusty and scholarly, but with increasing maturity I came to realise just how alive and filled with creativity and humanity these works are. So I was attracted by the challenge of learning all 48 and this coincided with my withdrawal, Glenn-Gould-like, from performing in concerts, so I turned my attention to recording them instead.”

Collected in a 4 CD set, the over 4 hours of music was recorded on a Steinway Model B at a private Sydney home. As with any recordings of Bach by pianists, it is a highly personal statement, full of the performer’s own insight into the remarkable ourvre. Putting aside the acoustic qualities that are somewhat different to the clinical studio sound, the use of expressive devices, judicious use of pedal, this complete recorded set has much to offer any student, teacher or music lover. Landa brings to life what for some may still be dusty and scholarly works. He infuses character and searches his own soul for the right artistic response from this great Baroque master.

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